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dc.contributor.authorKelly, Van
dc.date.accessioned2015-03-23T14:59:25Z
dc.date.available2015-03-23T14:59:25Z
dc.date.issued2000-09-01
dc.identifier.citationKelly, Van. (2000). "The Ambiguity of Individual Gestures: Revisions of World War I in Abel Gance's 'J'accuse,' Alain's 'Mars ou La guerre jugée,' and Bertrand Tavernier's 'La vie et rien d'autre.'" South Central Review, 17(3):7-34. http://www.dx.doi.org/10.2307/3190090en_US
dc.identifier.issn0743-6831
dc.identifier.urihttp://hdl.handle.net/1808/17163
dc.descriptionThis is the publisher's version, also available electronically from http://www.jstor.org/stable/3190090?origin=crossref&seq=1#page_scan_tab_contents.en_US
dc.description.abstractNo abstract is available for this item.en_US
dc.publisherJohns Hopkins University Pressen_US
dc.titleThe Ambiguity of Individual Gestures: Revisions of World War I in Abel Gance's "J'accuse," Alain's "Mars ou La guerre jugée," and Bertrand Tavernier's "La vie et rien d'autre"en_US
dc.typeArticle
kusw.kuauthorKelly, Van
kusw.kudepartmentFrench and Italian Languages and Literaturesen_US
dc.identifier.doi10.2307/3190090
kusw.oaversionScholarly/refereed, publisher version
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
dc.rights.accessrightsopenAccess


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