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dc.contributor.authorWelch, Tara S.
dc.date.accessioned2015-01-15T16:46:53Z
dc.date.available2015-01-15T16:46:53Z
dc.date.issued2004-02-01
dc.identifier.citationWelch, Tara S. "Masculinity and Monuments in Propertius 4.9 ." American Journal of Philology 125.1 (2004) 61-90. http://www.dx.doi.org/10.1353/ajp.2004.0009.en_US
dc.identifier.urihttp://hdl.handle.net/1808/16260
dc.descriptionThis is the published version, also available here: http://www.dx.doi.org/10.1353/ajp.2004.0009.en_US
dc.description.abstractIn elegy 4.9, Propertius connects the story of Hercules' transvestism to some of Rome's most ancient and venerable sites: the Ara Maxima, the subject of the poem's aition, and the sanctuary of the Bona Dea, where the poem's action takes place. These locations resonate with Rome's traditional gender roles and with the Augustan urban renovation. This essay argues that Propertius' use of monuments in 4.9 responds to and challenges the Princeps' use of Roman places as a means to solidify his position in the new Rome, thereby establishing the poet as the Princeps' rival in creating urban meaning.en_US
dc.publisherJohns Hopkins University Pressen_US
dc.titleMASCULINITY AND MONUMENTS IN PROPERTIUS 4.9en_US
dc.typeArticle
kusw.kuauthorWelch, Tara S.
kusw.kudepartmentClassicsen_US
dc.identifier.doi10.1353/ajp.2004.0009
kusw.oaversionScholarly/refereed, publisher version
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
dc.rights.accessrightsopenAccess


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