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    THE DEVELOPMENT OF THE ITALIAN CELLO SONATAS BY CELLIST/COMPOSERS IN THE BAROQUE AND CLASSICAL ERAS

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    Mayo_ku_0099D_13311_DATA_1.pdf (11.81Mb)
    Issue Date
    2014-05-31
    Author
    Mayo, Susan Elaine
    Publisher
    University of Kansas
    Format
    52 pages
    Type
    Dissertation
    Degree Level
    D.M.A.
    Discipline
    Music
    Rights
    This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
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    Abstract
    The solo cello sonata begins with the appearance of the violoncello in the second half of the seventeenth century. There is a correlative relationship between composers, performers, and the development of the cello as a solo instrument, which becomes evident by examination of the instrument and bow, stylistic and performance practices, and innovations in cello technique. These factors are explored in the works of four cellist/composers of the Baroque and Classical era: Domenico Gabrielli (1659-1690), Sonata #1 in G major; Giovanni Benedetto Platti (1692-1763), Sonata #1 in D major, Series II; Giovanni Battista Cirri (1724-1808), Sonata #3 in G minor, Op. 5; and Luigi Boccherini (1743-1805), Sonata #2, in C major, G6. This paper includes biographical information concerning these composers and historical information on the development of the cello, bow, and instrument's technique, and the sonata during the centuries under discussion. Each of the abovementioned sonatas is analyzed and described in terms of the changes in the equipment each of the composers might have used, the development of technique, and the compositional evolution of the solo sonata as exemplified in the abovementioned works. By examining the relationship between certain musical events occurring in the seventeenth and eighteenth century, composers who were also cellists, the evolution of the design and construction of the violoncello and bow, the advance in performance techniques, and the development of the solo sonata, it is possible to trace how the different discoveries of that time were interrelated, and to create a clearer picture of what those revolutionary times might have been like.
    URI
    http://hdl.handle.net/1808/14886
    Collections
    • Dissertations [4474]
    • Music Dissertations and Theses [335]

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    Contact KU ScholarWorks
    785-864-8983
    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
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    Contact KU ScholarWorks
    785-864-8983
    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    Image Credits
     

     

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