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dc.contributor.advisorPennington, Dorthy
dc.contributor.authorScott, Chloe D.
dc.date.accessioned2014-07-28T02:39:50Z
dc.date.available2014-07-28T02:39:50Z
dc.date.issued2013-08-31
dc.date.submitted2013
dc.identifier.otherhttp://dissertations.umi.com/ku:12819
dc.identifier.urihttp://hdl.handle.net/1808/14846
dc.description.abstractThe purpose of this work is to demonstrate the occurrence and fluidity of cross-cultural exchanges exhibited through cultural mulattoes. Jill Scott serves as a working example of cultural mulatto characteristics, a person who can be a black urban, working-class person with middle-class aspirations and who navigates between working-class and middle-class. The framework contextualizes a qualitative critical, interpretive word based approach to the music of Jill Scott's first album, Who is Jill Scott? Words and Sounds, Vol. 1 as Scott navigates between classes. The position allows for further exploration on how a person obtains and executes social, political, and cultural capital--as in the case of cultural mulattoes--to increase a person's probability of having privilege and earning potential in real social settings.  
dc.format.extent90 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsThis item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
dc.subjectAfrican American studies
dc.subjectSociology
dc.subjectCultural anthropology
dc.subjectClass
dc.subjectCultural mulatto
dc.subjectScott, Jill
dc.subjectEllis, Trey
dc.titleWhere Is Jill Scott?: The Significance of Cultural Mulattoes on Disrupting Class Identity Archetypes
dc.typeThesis
dc.contributor.cmtememberLang, Clarence
dc.contributor.cmtememberKernodle, Tammy
dc.contributor.cmtememberDoan, Alesha
dc.thesis.degreeDisciplineAfrican/African-American Studies
dc.thesis.degreeLevelM.A.
kusw.bibid8086260
dc.rights.accessrightsopenAccess


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