| dc.contributor.author | Bial, Henry | |
| dc.date.accessioned | 2014-07-16T19:44:12Z | |
| dc.date.available | 2014-07-16T19:44:12Z | |
| dc.date.issued | 2011-08-16 | |
| dc.identifier.citation | Henry Bial. (2011). Performance and Technology for the 58th Century. The Drama Review 55(3):134-143. http://www.dx.doi.org/10.1162/DRAM_a_00103 | |
| dc.identifier.uri | http://hdl.handle.net/1808/14775 | |
| dc.description | This is the publisher's version, also available electronically from http://www.mitpressjournals.org/doi/abs/10.1162/DRAM_a_00103#.U8bUlrHDuts | |
| dc.description.abstract | “You know who else is Jewish?” is a question with a long history in American popular culture. How have contemporary forms of media distribution such as Web 2.0 changed the way American Jews ask and answer it? What does this mean for the performance of Jewish American identity? | |
| dc.publisher | MIT Press | |
| dc.title | Performance and Technology for the 58th Century | |
| dc.type | Article | |
| kusw.kuauthor | Bial, Henry | |
| kusw.kudepartment | Theatre | |
| kusw.oanotes | Per SHERPA/RoMEO 7/16/14: Author's Post-print must be accompanied by acknowledgement of acceptance for publication in Journal. On author's personal website or institutional repository. Publisher copyright and source must be acknowledged, with citation. Must link to journal homepage. Publisher's version/PDF may be used. If funding agency rules apply, authors may post articles in PubMed Central immediately after publication, but may be subject to journal embargoes | |
| kusw.oastatus | fullparticipation | |
| dc.identifier.doi | 10.1162/DRAM_a_00103 | |
| kusw.oaversion | Scholarly/refereed, publisher version | |
| kusw.oapolicy | This item meets KU Open Access policy criteria. | |
| dc.rights.accessrights | openAccess | |
