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    An Analytic Approach to the Roman Sketches, Op. 7 by Charles T. Griffes

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    Woo_ku_0099D_13055_DATA_1.pdf (5.894Mb)
    Issue Date
    2013-12-31
    Author
    Woo, Suk Jung
    Publisher
    University of Kansas
    Format
    44 pages
    Type
    Dissertation
    Degree Level
    D.M.A.
    Discipline
    Music
    Rights
    This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
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    Abstract
    Charles Griffes (1884-1920) was one of the influential American composers in the early twentieth century who sought and experimented with new musical idioms. He was conscious of the newest trends within a rapid changing musical world, resulting in the development of his individual harmonic language. He was often called the American Impressionist by his contemporary critics and authors, but this title needs to be re-examined in light of new research and analysis of his music. He not only absorbed Claude Debussy (1862-1918)'s and Maurice Ravel (1875-1937)'s impressionistic techniques, but also developed his own techniques to create his individual style. One of his well-known impressionistic works, the Roman Sketches, op. 7 reveals how he treated impressionistic techniques and how he established his own style within them. It is my intention to examine the Roman Sketchesfrom a formal, harmonic and pianistic standpoint in order to show the ways that Griffes used Debussy's and Ravel's impressionistic techniques and to further show how he developed his own techniques into an individual style.
    URI
    http://hdl.handle.net/1808/13011
    Collections
    • Dissertations [4475]
    • Music Dissertations and Theses [335]

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    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
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    Contact KU ScholarWorks
    785-864-8983
    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    Image Credits
     

     

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