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dc.contributor.authorAvery-Natale, Edward
dc.date.accessioned2013-10-25T18:41:31Z
dc.date.available2013-10-25T18:41:31Z
dc.date.issued2013-01-01
dc.identifier.citationSocial Thought and Research, Volume 32 (2013), pp. 71-106. http://dx.doi.org/10.17161/STR.1808.12434
dc.identifier.urihttp://hdl.handle.net/1808/12434
dc.description.abstractThis study analyzes the changes in physical presentation of several DC comic book superheroes, finding that the bodies of superheroes have become far more sexualized, exaggerated, and unrealistic in recent years. The comic reader’s “gaze” upon the bodies of the characters produces an intersection of spectacle and narrative that cannot be disconnected from both the physical body and the costume of the hero. Literature on the bodies of male and female bodybuilders reveals a connection to the hyper-embodiment of male and female superheroes, which represent the ego ideal of Western representations of “perfect” gendered bodies. The study concludes by asking if contemporary comic books must shift from the “Modern Age” to the “Postmodern Age” in order to break out of their practices of reaffirming gender binaries. The argument expands on work by Jean Baudrillard and Judith Butler.
dc.publisherDepartment of Sociology, University of Kansas
dc.titleAN ANALYSIS OF EMBODIMENT AMONG SIX SUPERHEROES IN DC COMICS
dc.typeArticle
kusw.kuauthorAvery-Natale, Edward
kusw.kudepartmentSociology
kusw.oastatusna
dc.identifier.doi10.17161/STR.1808.12434
kusw.oaversionScholarly/refereed, publisher version
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
dc.rights.accessrightsopenAccess


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