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dc.contributor.advisorSchwartz, Roberta F
dc.contributor.advisorNeely, David
dc.contributor.authorLee, James H.
dc.date.accessioned2013-09-30T21:22:05Z
dc.date.available2013-09-30T21:22:05Z
dc.date.issued2013-05-31
dc.date.submitted2013
dc.identifier.otherhttp://dissertations.umi.com/ku:12794
dc.identifier.urihttp://hdl.handle.net/1808/12354
dc.description.abstractAn analysis and comparsion of the incidental music composed by Gabriel Faure and Jean Sibelius for Maeterlinck's Pelleas et Melisande. Beginning will talking about background story about Pelleas et Melisande, much of the information about the historical aspect and parallel historical view of art time around late nineteenth century. This paper will briefly touch on the musical mentors, influences, and early musical training of both composers, as well as their relationships to symbolism. This paper will includes survey of the theoretical aspect of both composers.
dc.format.extent47 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsThis item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
dc.subjectMusic
dc.subjectComparative
dc.subjectFaure, Gabriel
dc.subjectSibelius, Jean
dc.subjectPelleas et Melisande
dc.titleIncidental music to Maeterlinck's "Pelleas et Melisande" by Gabriel Faure and Jean Sibelius: A Comparative Analysis from a Conductor's Perspective.
dc.typeDissertation
dc.contributor.cmtememberTucker, Paul
dc.contributor.cmtememberMurphy, Scott
dc.contributor.cmtememberStaniunas, John
dc.thesis.degreeDisciplineMusic
dc.thesis.degreeLevelD.M.A.
kusw.oastatusna
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
dc.rights.accessrightsopenAccess


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