dc.contributor.advisor | Popiel, Paul W | |
dc.contributor.author | Mapp, Michael Wayne | |
dc.date.accessioned | 2013-09-29T14:18:24Z | |
dc.date.available | 2013-09-29T14:18:24Z | |
dc.date.issued | 2013-08-31 | |
dc.date.submitted | 2013 | |
dc.identifier.other | http://dissertations.umi.com/ku:12908 | |
dc.identifier.uri | http://hdl.handle.net/1808/12194 | |
dc.description.abstract | This document serves as an examination of Mohammed Fairouz's (b. 1986) piece, In the Shadow of No Towers: Symphony Number Four (2012). Included within this paper are sections covering: biographical information of the composer, information about the origin and inspiration for the piece, a conductor's analysis, rehearsal considerations, and final thoughts concerning the importance of commissioning new works for the wind ensemble as a musical medium. | |
dc.format.extent | 79 pages | |
dc.language.iso | en | |
dc.publisher | University of Kansas | |
dc.rights | This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author. | |
dc.subject | Music | |
dc.subject | 9/11 | |
dc.subject | Fairouz | |
dc.subject | Shadow | |
dc.subject | Spiegelman | |
dc.subject | Towers | |
dc.subject | Zakoura | |
dc.title | In the Shadow of No Towers: Symphony Number Four, A Conductor's Analysis | |
dc.type | Dissertation | |
dc.contributor.cmtemember | Smith, Matthew O | |
dc.contributor.cmtemember | Barnes, James | |
dc.contributor.cmtemember | Davidson, Michael | |
dc.contributor.cmtemember | Blagg, Brian | |
dc.thesis.degreeDiscipline | Music | |
dc.thesis.degreeLevel | D.M.A. | |
kusw.oastatus | na | |
kusw.oapolicy | This item does not meet KU Open Access policy criteria. | |
dc.rights.accessrights | openAccess | |