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dc.contributor.advisorIrby, Kenneth
dc.contributor.authorConsole, Cyrus
dc.date.accessioned2012-11-26T16:42:08Z
dc.date.available2012-11-26T16:42:08Z
dc.date.issued2010-12-31
dc.date.submitted2010
dc.identifier.otherhttp://dissertations.umi.com/ku:11241
dc.identifier.urihttp://hdl.handle.net/1808/10413
dc.description.abstractThe title of The Odicy refers to the epic story of Ulysses, but it also indicates another term, the single word "theodicy," which Leibniz coined to describe a vindication, in the face of evil, of the goodness and fairness of a supreme being or creator. The Odicy is organized around a set of interrelated concerns about how poetry can relate, for example, to the increasing weaponization of the American citizenry, how it can relate to the various American styles of religious fundamentalism, and especially how poetry, an ancient and potentially sustainable form of artistic production, can confront the prospect of ecological collapse.
dc.format.extent84 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsThis item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
dc.subjectLiterature
dc.titleTHE ODICY
dc.typeDissertation
dc.contributor.cmtememberHarrington, Joseph
dc.thesis.degreeDisciplineEnglish
dc.thesis.degreeLevelPh.D.
kusw.oastatusna
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
kusw.bibid7642750
kusw.bibid7642750
dc.rights.accessrightsopenAccess


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