Shakespeare Studies in China

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dc.contributor.advisorde Sousa, Geraldo U
dc.contributor.authorMeng, Hui
dc.contributor.cmtememberSchieberle, Misty
dc.date.accessioned2012-11-26T22:34:33Z
dc.date.available2012-11-26T22:34:33Z
dc.date.issued2012-05-31
dc.date.submitted2012
dc.description.abstractDifferent from Germany, Japan and India, China has its own unique relation with Shakespeare. Since Shakespeare's works were first introduced into China in 1904, Shakespeare in China has witnessed several phases of developments. In each phase, the characteristic of Shakespeare studies in China is closely associated with the political and cultural situation of the time. This thesis chronicles and analyzes noteworthy scholarship of Shakespeare studies in China, especially since the 1990s, in terms of translation, literary criticism, and performances, and forecasts new territory for future studies of Shakespeare in China.
dc.format.extent82 pages
dc.identifier.otherhttp://dissertations.umi.com/ku:12110
dc.identifier.urihttps://hdl.handle.net/1808/10465
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsThis item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
dc.rights.accessrightsopenAccess
dc.subjectLiterature
dc.subjectBritish & Irish literature
dc.subjectComparative literature
dc.subjectChina
dc.subjectPerformance
dc.subjectShakespeare
dc.subjectShakespeare's plays
dc.subjectShakespeare studies
dc.subjectTranslation
dc.thesis.degreeDisciplineEnglish
dc.thesis.degreeLevelM.A.
dc.titleShakespeare Studies in China
dc.typeThesis
dspace.entity.typePublication
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
kusw.oastatusna
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