The Ambiguity of Individual Gestures: Revisions of World War I in Abel Gance's "J'accuse," Alain's "Mars ou La guerre jugée," and Bertrand Tavernier's "La vie et rien d'autre"

Kelly, Van

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The Ambiguity of Individual Gestures: Revisions of World War I in Abel Gance's "J'accuse," Alain's "Mars ou La guerre jugée," and Bertrand Tavernier's "La vie et rien d'autre"

Kelly, Van

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This is the publisher's version, also available electronically from http://www.jstor.org/stable/3190090?origin=crossref&seq=1#page_scan_tab_contents.

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2000-09-01

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Johns Hopkins University Press

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French, Francophone & Italian Studies Scholarly Works

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Kelly, Van. (2000). "The Ambiguity of Individual Gestures: Revisions of World War I in Abel Gance's 'J'accuse,' Alain's 'Mars ou La guerre jugée,' and Bertrand Tavernier's 'La vie et rien d'autre.'" South Central Review, 17(3):7-34. http://www.dx.doi.org/10.2307/3190090

URI

https://hdl.handle.net/1808/17163

DOI

10.2307/3190090

The Ambiguity of Individual Gestures: Revisions of World War I in Abel Gance's "J'accuse," Alain's "Mars ou La guerre jugée," and Bertrand Tavernier's "La vie et rien d'autre"

Kelly, Van

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