| dc.contributor.author | Rehak, Paul | |
| dc.date.accessioned | 2011-11-12T20:00:24Z | |
| dc.date.available | 2011-11-12T20:00:24Z | |
| dc.date.issued | 1999 | |
| dc.identifier.citation | "The Aegean Landscape and the Body: A New Interpretation of the Thera Frescoes," in N.L. Wicker and B. Arnold eds., From the Ground Up: Beyond Gender Theory in Archaeology. Proceedings of the Fifth Gender and Archaeology Conference, University of Wisconsin-Milwaukee, October 1998 (British Archaeological Reports - International Series 812, 1999) 11-22. | |
| dc.identifier.uri | http://hdl.handle.net/1808/8363 | |
| dc.description.abstract | This study was the first published in his series that explores the hypothesis that the women-oriented wall paintings in Xeste 3, Akrotiri, Thera (ca. 1600) depicted scenes relating to a woman's transition from adolescence to adulthood. | |
| dc.publisher | British Archaeological Reports | |
| dc.subject | Thera | |
| dc.subject | Akrotiri | |
| dc.subject | Xeste 3 | |
| dc.subject | Women | |
| dc.subject | Wall Paintings | |
| dc.subject | Maturation | |
| dc.title | The Aegean Landscape and the Body: A New Interpretation of the Thera Frescoes | |
| dc.type | Article | |
| kusw.kuauthor | Rehak, Paul | |
| kusw.kudepartment | Classics | |
| kusw.oaversion | Scholarly/refereed, publisher version | |
| kusw.oapolicy | This item meets KU Open Access policy criteria. | |
| dc.rights.accessrights | openAccess | |
