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The Aegean Landscape and the Body: A New Interpretation of the Thera Frescoes

dc.contributor.authorRehak, Paul
dc.date.accessioned2011-11-12T20:00:24Z
dc.date.available2011-11-12T20:00:24Z
dc.date.issued1999
dc.identifier.citation"The Aegean Landscape and the Body: A New Interpretation of the Thera Frescoes," in N.L. Wicker and B. Arnold eds., From the Ground Up: Beyond Gender Theory in Archaeology. Proceedings of the Fifth Gender and Archaeology Conference, University of Wisconsin-Milwaukee, October 1998 (British Archaeological Reports - International Series 812, 1999) 11-22.
dc.identifier.urihttp://hdl.handle.net/1808/8363
dc.description.abstractThis study was the first published in his series that explores the hypothesis that the women-oriented wall paintings in Xeste 3, Akrotiri, Thera (ca. 1600) depicted scenes relating to a woman's transition from adolescence to adulthood.
dc.publisherBritish Archaeological Reports
dc.subjectThera
dc.subjectAkrotiri
dc.subjectXeste 3
dc.subjectWomen
dc.subjectWall Paintings
dc.subjectMaturation
dc.titleThe Aegean Landscape and the Body: A New Interpretation of the Thera Frescoes
dc.typeArticle
kusw.kuauthorRehak, Paul
kusw.kudepartmentClassics
kusw.oaversionScholarly/refereed, publisher version
kusw.oapolicyThis item meets KU Open Access policy criteria.
dc.rights.accessrightsopenAccess


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