| dc.contributor.advisor | Smith, Scott McBride | |
| dc.contributor.advisor | Winerock, Jack | |
| dc.contributor.author | Lam, Kai Yin Crystal | |
| dc.date.accessioned | 2014-08-04T23:04:03Z | |
| dc.date.available | 2014-08-04T23:04:03Z | |
| dc.date.issued | 2014-05-31 | |
| dc.date.submitted | 2014 | |
| dc.identifier.other | http://dissertations.umi.com/ku:13322 | |
| dc.identifier.uri | http://hdl.handle.net/1808/14873 | |
| dc.description.abstract | The purpose of this research paper is to provide an analysis of Trio for Clarinet, Viola, and Piano by the important twentieth-century American composer, Eric Ewazen. This paper will include information about his biography, two stylistic periods, stylistic approach, formal design, compositional technique, and the performers' point of view from Wakarusa Trio. Since the instrumentation is relatively unusual in this Trio, I will also discuss the unique qualities of his instrumental writing. I interviewed Ewazen about his life and his approaches to his Trio. Through this research, I want to introduce the new American music with this rare combination of instruments, as well as the musical world of Eric Ewazen, in which the Trio speaks for his musical language. | |
| dc.format.extent | 54 pages | |
| dc.language.iso | en | |
| dc.publisher | University of Kansas | |
| dc.rights | This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author. | |
| dc.subject | Music | |
| dc.title | Eric Ewazen's Trio for Clarinet, Viola, and Piano: A Performer's Perspective | |
| dc.type | Dissertation | |
| dc.contributor.cmtemember | Reber, Richard | |
| dc.contributor.cmtemember | Levin, Alicia | |
| dc.contributor.cmtemember | Pasik-Duncan, Bozenna | |
| dc.thesis.degreeDiscipline | Music | |
| dc.thesis.degreeLevel | D.M.A. | |
| dc.rights.accessrights | openAccess | |
