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    Nicolas Slonimsky's Role in the Musical Modernism of the Early Twentieth Century

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    Mullinger_ku_0099M_12713_DATA_1.pdf (5.287Mb)
    Issue Date
    2013-05-31
    Author
    Mullinger, Lisa Noelle
    Publisher
    University of Kansas
    Format
    118 pages
    Type
    Thesis
    Degree Level
    M.M.
    Discipline
    Music
    Rights
    This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
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    Abstract
    The musical modernism movement of the early twentieth century began with much resistance, but blossomed into a period of inspired experimentation and development. Nicolas Slonimsky played an active role in the midst of this era. He was a composer, pianist, conductor, and writer. Examining the more personal aspects of his relationships with figures that were hallmark examples of this movement reveals Slonimsky's widespread influence. The most significant relationships that are focused on in this thesis include Charles Ives, Henry Cowell, Edgard Varèse, and Léon Theremin. To these men, Slonimsky offered great support, trusted advice, and recommendations to publishers, and he wrote beneficial articles regarding their music. He collaborated with them on their work, encouraged them, and pushed them to new heights. Nicolas Slonimsky was a champion of many musicians during his lifetime, promoting and supporting them, even at his own expense. Slonimsky made significant contributions to the developments of modern music during its growth in the twentieth century.
    URI
    http://hdl.handle.net/1808/12345
    Collections
    • Theses [3797]
    • Music Dissertations and Theses [338]

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    785-864-8983

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    Contact KU ScholarWorks
    785-864-8983
    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    Image Credits
     

     

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