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dc.contributor.authorKroó, Katalin
dc.date.accessioned2023-02-21T19:00:34Z
dc.date.available2023-02-21T19:00:34Z
dc.date.issued2021-09-13
dc.identifier.citationKroó K. (2021). Aspects of individualisation in Dostoevsky’s novella The Double – the semiotic dynamics of definedness and undefinedness. Slavia Centralis, 14(1), 174–191. Retrieved from https://journals.um.si/index.php/slaviacentralis/article/view/1269en_US
dc.identifier.urihttp://hdl.handle.net/1808/33879
dc.description.abstractRazprava s štirih zornih kotov preučuje semantične procese v povesti Dvojnik, ki prestavljajo prehod s problema družbene individualizacije na problem semiotične individualizacije. Prvi zorni kot osvetljuje družbeni pomen glavne osebe skozi odnos med celoto (kolektivom) in delom (individuumom), ki je povezan s poetičnim postopkom, s katerim literarni lik dobi ali izgubi značajske lastnosti. Drugi se nanaša na posebnost poetičnega jezika, ki razkriva razdeljevanje (distribucijo) oziroma odvzemanje semantičnih značilnosti. Tretji zadeva poetiko imitacije, npr. pogosta dobesedna ponavljanja, variacijske oblike, določanje smisla podobnosti drugemu itd. Četrti se nanaša na preseganje vsega s transformacijo, s čimer postavlja nove semiotične pogoje za razlago individualnosti – kot osebnosti in semiotične značilnosti.

The article investigates, from four points of view, the semantic processes in Dostoevsky’s work which shift the focus from the problem of social to semiotic individualisation. First, the protagonist’s social significance is interpreted in terms of the relationship between the whole (society) and its part (the individual), linked to the gain and loss of special character traits as semantic attributes. The second question lies in the peculiarity of the artistic language illuminating attribute distribution and deprivation. The third and fourth aspects of the examined problem concern the representation of imitative poetics (recurrent word-to-word repetitions, minor variations, the semanticisation of being similar to all the others) and the forms of its overcoming characterised by creative transformation. This sets new semiotic conditions for the designation of individuality (as personality and in semiosis).
en_US
dc.publisherUniversity of Maribor, Department of Slavic Languages and Literaturesen_US
dc.relation.isversionofhttps://journals.um.si/index.php/slaviacentralis/article/view/1269en_US
dc.rightsCopyright (c) 2021 University of Maribor Press. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.en_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/en_US
dc.subjectDostojevskien_US
dc.subjectDvojniken_US
dc.subjectIndividualizacijaen_US
dc.subjectDistribucija semantičnih značilnostien_US
dc.subjectImitacija – kreacijaen_US
dc.subjectDoločnost – nedoločnosten_US
dc.subjectDostoevskyen_US
dc.subjectThe Doubleen_US
dc.subjectIndividualisationen_US
dc.subjectSemantic attribute distributionen_US
dc.subjectImitation vs creationen_US
dc.subjectDefinedness vs undefinednessen_US
dc.titleAspects of individualisation in Dostoevsky’s novella The Double – the semiotic dynamics of definedness and undefinednessen_US
dc.typeArticleen_US
kusw.oaversionScholarly/refereed, publisher versionen_US
kusw.oapolicyThis item meets KU Open Access policy criteria.en_US
dc.rights.accessrightsopenAccessen_US


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Copyright (c) 2021 University of Maribor Press. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Except where otherwise noted, this item's license is described as: Copyright (c) 2021 University of Maribor Press. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.