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dc.contributor.authorLevins Boyd, Maureen
dc.date.accessioned2015-11-09T18:55:28Z
dc.date.available2015-11-09T18:55:28Z
dc.date.issued1993
dc.identifier.urihttp://hdl.handle.net/1808/18860
dc.descriptionThesis (M.A.)--University of Kansas, Theatre and Film, 1993. Includes bibliographical references (leaves 84-86)en_US
dc.description.abstractThis thesis uses feminist criticism as a means of shedding new light on the Irish political, social, and cultural issues in Sean O'Casey's plays. While traditional critical analysis has often viewed the O'Casey female construct as a symbol of virtue and tenacity, the present study defines these characters more in terms of their patriarchal objectification.en_US
dc.language.isoenen_US
dc.publisherUniversity of Kansasen_US
dc.rightsThis item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
dc.subjectFeminist theoryen_US
dc.subjectO'Casey, Sean, 1880-1964en_US
dc.titleMothers, martyrs, wives, and whores : toward a new feminist theory of Sean O’Casey’s gender constructsen_US
dc.typeThesis
dc.thesis.degreeDisciplineTheatre & Film
dc.thesis.degreeLevelM.A.
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
dc.rights.accessrightsopenAccess


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