| dc.contributor.advisor | Winerock, Jack | |
| dc.contributor.author | Ho, Tzu-Hwa | |
| dc.date.accessioned | 2014-08-04T23:21:50Z | |
| dc.date.available | 2014-08-04T23:21:50Z | |
| dc.date.issued | 2014-05-31 | |
| dc.date.submitted | 2014 | |
| dc.identifier.other | http://dissertations.umi.com/ku:13344 | |
| dc.identifier.uri | http://hdl.handle.net/1808/14885 | |
| dc.description.abstract | This document surveys the genre of opera transcriptions for piano, with the historical background and close examination of four transcriptions based on three specific operas (Orphée et Eurydice, Rigoletto, and Carmen). The examination includes thorough analyses, with comparisons to the original opera score and an emphasis on the pianistic features of the transcriptions. | |
| dc.format.extent | 47 pages | |
| dc.language.iso | en | |
| dc.publisher | University of Kansas | |
| dc.rights | This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author. | |
| dc.subject | Performing arts | |
| dc.title | Opera Transcribed for Piano-- Four Approaches | |
| dc.type | Dissertation | |
| dc.contributor.cmtemember | Spooner, Steven | |
| dc.contributor.cmtemember | Street, Alan | |
| dc.contributor.cmtemember | Schwartz, Roberta | |
| dc.contributor.cmtemember | Suzeau, Patrick | |
| dc.contributor.cmtemember | Winerock, Jack | |
| dc.thesis.degreeDiscipline | Music | |
| dc.thesis.degreeLevel | D.M.A. | |
| dc.rights.accessrights | openAccess | |
