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dc.contributor.advisorWong, Ketty
dc.contributor.advisorGnojek, Vince
dc.contributor.authorValerio, Jose Javier
dc.date.accessioned2013-09-30T21:19:01Z
dc.date.available2013-09-30T21:19:01Z
dc.date.issued2013-05-31
dc.date.submitted2013
dc.identifier.otherhttp://dissertations.umi.com/ku:12725
dc.identifier.urihttp://hdl.handle.net/1808/12351
dc.description.abstractCosta Rican art composers have written a significant amount of music works for classical saxophone in the late 20th century, thus contributing to the development of a saxophone music repertoire in general. Their compositions, however, are little known outside of their musical circles due to the lack of music editions and the fact that they had been working most often in isolation. This document seeks to fill this lacuna by examining selected saxophone pieces by Benjamin Gutiérrez, Carlos Castro, Eddie Mora, and Marvin Camacho, as well as their influence as teachers and institutional administrators upon the development of a saxophone school and classical repertoire in Costa Rica.
dc.format.extent46 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsThis item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
dc.subjectMusic
dc.subjectCastro
dc.subjectGutierrez
dc.subjectMora
dc.subjectRepertoire
dc.subjectSaxophone
dc.titleThe Emergence and Development of Classical Saxophone Repertoire in Costa Rica
dc.typeDissertation
dc.contributor.cmtememberWong, Ketty
dc.contributor.cmtememberGnojek, Vince
dc.contributor.cmtememberMarco, Margaret
dc.contributor.cmtememberZelnick, Stephanie
dc.contributor.cmtememberHeffner, Michelle
dc.thesis.degreeDisciplineMusic
dc.thesis.degreeLevelD.M.A.
kusw.oastatusna
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
dc.rights.accessrightsopenAccess


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