The Organ Transcriptions of Jean Guillou

Abstract

This paper will analyze five organ transcriptions by Jean Guillou. The excerpts to be analyzed include: the six voice ricercare from Bach's Musical Offering, BWV 1079; Mozart's Adagio and Fugue in C minor K.546; Liszt's Orpheus; Mussorgsky's "La grande porte de Kiev" from Pictures at an Exhibition; and Prokofiev's Toccata Op.11. This analysis will involve comparing the transcriptions with the original and discussing how Guillou has altered the pieces, including any musical elements that are changed, added, or subtracted. These elements may include notes, rhythms, dynamics, registration, or articulation. The document will also explain how the changes facilitate the performance of these works on the organ. In summary, we will see that Guillou's transcription of the Bach and Mozart works are based rather strictly on the original. The Prokofiev transcription is slightly more adventurous, while in the Liszt and Mussorgsky transcriptions, Guillou actually develops something that looks almost like a new piece, featuring enhanced virtuosity by including running notes, complex harmonies, and creative registrations. The document will demonstrate that this flexibility in approach to the process of transcription is a hallmark of Guillou's style.