Konstrukcija ženskog identiteta u poeziji Tina Ujevića
Tepavčević, Miodarka
Tepavčević, Miodarka
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Abstract
Nova prebiranja Ujevićevih besedil so omogočila analizo strukture jezikovnega
diskurza o ženski in tudi analizo lingvističnih izrazov vrednostnih stališč o njej.
V članku se avtorica posveti analizi ženske identitete, ki v kontekstu širšega diskurza
osvetli številne podrobnosti Ujevićevih pogledov na ženske. S tem delom
želimo izpostaviti pomembnost in vlogo ženske v njegovi poeziji in odstreti še
en del njegove zapuščine. Od njegovih zgodnjih pesniških zbirk in rim do bolečih
verzov in zrelih od so Ujevićeva dela prežeta z vilami in drugimi mitološkimi
boginjami, ljubljenimi in nedosanjanimi ženskami, ki s svojo močjo vseprisotnosti
skupaj ustvarijo glas ženske. Definiranje tega harmoničnega zvoka številnih
žensk se kaže kot neobhodni del naracije in nosilec sporočila poezije.
New readings of Ujević’s texts have made it possible to analyse the structure
of the linguistic discourse about women as well as the linguistic expressions of
value-based attitudes toward them. In the paper, the author deals with an analysis
of female identity, which in the context of the wider discourse illuminates many
details of his views towards women. With this work we would like to point out
the significance and role of women in Ujević’s poetry and reveal another segment
of his poetic legacy. From his earliest poetry collections and initial rhymes, to
the painful verses and mature odes, Ujević’s poems are full of numerous fairies,
mythological goddesses, women who were loved and those with unfulfilled
dreams, who through the power of omnipresence together constitute the voice of
one woman. The defining of this harmonic voice of many women appears as an
indispensable part of the narrative and the carrier of the poetic message.
Description
Date
2019-02
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University of Maribor, Department of Slavic Languages and Literatures
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Keywords
Tin Ujević,, Croatian literature, , female identity,, love