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Abstract
V razpravi1 se tematizirajo dekadentne tendence v poeziji in življenju prve slovenske
pesnice intime Vide Jeraj (Franice Vovk, 1875–1932). Lirična pesnica je bila
vitalni element slovenske moderne tako na Bledu (Zasipu) kot na Dunaju. Začela
je pisati v kontekstu sprememb v srednjeevropskih kulturah, ki so se zaključile
na koncu prve svetovne vojne z razpadom skupne države. Pripadala je generaciji
kozmopolitskih avtoric, ki se je uveljavila v obdobju fin-de-siècla v slovenski
kulturi, v tem času na periferiji avstro-ogrskega imperija. V njenem literarnem
opusu nas zanimajo pesmi o smrti.
The topics of the article are the decadent tendencies in the poetry and life of the
first Slovenian female lyricist Vida Jeraj (Franica Vovk, 1875–1932) who was a
vital part of the Slovenian modernist network (“Slovenian moderna”) in Bled
(Zasip) and Vienna. She began to write in the context of transformation in Central
European cultures which ended with the collapse of the former joint State. Jeraj
belonged to the generation of young cosmopolitan women writers who broke
through in in the Fin-de-Siècle period in Slovene society, at that time the periphery
of the Austro-Hungarian Empire. In her literary work we analyse poems expressing
motives of death.
Description
Date
2019-02
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Publisher
University of Maribor, Department of Slavic Languages and Literatures
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Keywords
poetry by Vida Jeraj,, decadence in Slovenian literature,, Slovenian “moderna”,, Slovenian women writers,, death in poetry
Citation
© Slavia Centralis (SCN)
SCN izhaja dvakrat na leto. – SCN is published twice yearly