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米国における能楽研究の実態と私の能狂言を中心とした演出活動 [1] ―1960年代から20世紀の終わりまでー
Tsubaki, Andrew 椿, アンドリュー T
Tsubaki, Andrew
椿, アンドリュー T
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Abstract
Andrew Tsubaki writes about the study of Nō musical theatre in the United States from the point of view of a Nō director from the 1960s to the end of the 20th century.
Description
This is the first part of an eight-part essay.
Date
2001-08
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Publisher
Zeami gakkai 世阿弥学会 (Zeami Association)
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Keywords
United States, 20th Century, Nō, Noh, Kyōgen, Noh Music, 能楽, 狂言, Andrew Tsubaki, 世阿弥学会, Zeami Association, ゼアミ ガッカイ
Citation
Tsubaki, Andrew 椿, アンドリュー T. "Beikoku Ni Okeru nōgaku kenkyū No Jittai to Watakushi No nō kyōgen o chūshin to Shita Enshutsu katsudō -1960-Nendai Kara 20-Seiki No Owari Made-." 米国における能楽研究の実態と私の能狂言を中心とした演出活動 [1] ー 一九六〇年代から20世紀の終わりまでー" ("The condition of nōgaku studies in North America and my directing activities concerning nō and kyōgen: from the 1960s to the end of the 20th century"). Sōgō Geijutsu to Shite No nō 総合芸術としての能 (Nō as the Comprehensive Art), no. 7, 8AD (2001): 6–16.